Both items were bequeathed to the Metropolitan Museum of Art, New
York, by William Kissam Vanderbilt
in 1920, and the Museum subsequently replaced the black marble with
white marble that approximated to the original tops of marbre
blanc vainé. Although Watson Taylor and the 10th Duke evidently
preferred black marble, white marble contrasts with the black lacquer
and provides a much better visual finish. Understandably, the Met
has made no attempt to recreate the gilt bronze balustrade or rail
that decorated the very top of the secretaire.
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