Reading List

Aitken, I. (1992). Film and Reform: John Grierson and the Documentary Film Movement. London: Routledge.

Allen, D. (1982). 'Workers' Films: Scotland's Hidden Film Culture', in McArthur, C. (ed.) Scotch Reels.  London: British Film Institute.

Anderson, B. (1983). Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso Editions and NLB.

Anderson, R.G.W. (1989). 'Museums in the Making: the Origins and Development of the National Collections', in Calder, J. (ed.) The Wealth of a Nation. Edinburgh: National Museums of Scotland.

Andrews, M. (1989). The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain, 1760-1800. Aldershot: Scolar Press.  

Bailie, The (1896, May 27). Scottish Film Archive, Glasgow.

Bann, S. (1981). 'The Historian as Taxidermist: Ranke, Barante, Waterton', in Shaffer, E.S. (ed.) Comparative Criticism: A Yearbook 3.  Cambridge: Cambridge University Press.

Bann, S. (1990). The Inventions of History: Essays on the Representation of the Past.  Manchester: Manchester University Press.

Barnouw, E. (1981). Documentary: A History of the Non Fiction Film.  London: Oxford University Press.

Barr, C. (ed.) (1986). All Our Yesterdays: Ninety Years of British Cinema.  London: British Film Institute.

Barthes, R. (1972). Mythologies.  New York: Hill & Wang.

Barthes, R. (1977). 'Introduction to the Structuralist Analysis of Narratives', in Barthes, R.   Image-Music-Text (edited by Stephen Heath). London: Fontana.

Barthes, R. (1981). 'The Discourse of History', in Shaffer, E.S. (ed.) Comparative Criticism: A Yearbook 3.  Cambridge: Cambridge University Press.

Batsford, H.   & Fry, C. (1933). The Face of Scotland.  London: Batsford.

Bell, I. (1990). 'Scotticism: Textual Attitudes and National Characters', Southern Review, 23 (2).

Bennett, T. (1988). 'The Exhibitionary Complex', New Formations, 4 (Spring).

Berger, J. (1972). Ways of Seeing.  London: Penguin.

Beveridge, C & Turnbull, R. (1989). The Eclipse of Scottish Culture: Inferiorism and the Intellectuals.  Edinburgh: Edinburgh University Press. 

Blake, G. (1938). The Heart of Scotland.  London: Batsford.

Boccioni, U. et al. (1973). 'Manifesto of the Futurist Painters 1910', in Umbro Apollonio (ed.) Futurist Manifestos.  London: Thames and Hudson.

Boswell, J. (1965). 'The Journal of a Tour to the Hebrides with Samuel Johnson LL.D.', in Chapman, R.W. (ed.) (1965). Johnson's 'Journey to the Western Islands of Scotland' and Boswell's 'Journal of a Tour through the Hebrides with Samuel Johnson, LL.D.'.   London: Open University Press.

Bourdieu, P. (1986). Distinction: A Social Critique of the Judgement of Taste.  London: Routledge and Kegan Paul.

Boyle, G. (1946). 'The Rise of Social Cinema', Educational Film Bulletin, 33.

Bruno, G. (1993). Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari.  Princeton: Princeton University Press.

Buchan, J. (1931). Sir Walter Scott.  London: Cassell and Company.

Butler, R. (1985). 'Evolution of Tourism in the Scottish Highlands', Annals of Tourism Research, 12.

Butt, R. (1997). 'Wealth of a Nation: Citizenship and the Public Sphere', in McBain, J. & Cowle, K. (eds.) "With an Eye to the Future": Donald Alexander and Budge Cooper, Documentary Film Makers, Glasgow: Scottish Screen.

Buzzard, J. (1993). The Beaten Track.  Oxford: Clarendon Press.

Cardiff, D. (1980). 'The Serious and the Popular: Aspects of the Evolution of Style in the Radio Talk, 1928-39', Media, Culture and Society 2.

Carroll, N. (1983). 'From Real to Reel: Entangled in Nonfiction Film', Philosophic Exchange, 14.

Carroll, N. (1988a). Mystifying Movies: Fads and Fallacies in Contemporary Film Theory.  New York: Columbia University Press. 

Carroll, N. (1988b). Philosophical Problems of Classical Film Theory.  Princeton: Princeton University Press.

Caughie, J.  & McArthur, C. (1982). 'An Interview with Forsyth Hardy', in McArthur, C. (ed.) Scotch Reels.  London: British Film Institute.

Caughie, J. (1982). 'Scottish Television: What Would It Look Like?', in McArthur, C. (ed.) Scotch Reels.  London: British Film Institute.

Caughie, J. (1990). 'Representing Scotland: New Questions for Scottish Cinema' in Dick, E. (ed.) From Limelight to Satellite: A Scottish Film Book.  Tiptree: British Film Institute & Scottish Film Council.

Caughie, J. (1991). 'Adorno's Reproach: Repetition, Difference and Television Genre', Screen, 32 (2).

Chambers, I. (1990). Border Dialogues: Journeys in Postmodernity.  London: Routledge.

Chapman, M. (1978). The Gaelic Vision in Scottish Culture.  Edinburgh: Edinburgh University Press.  

Clifford, J. (1986). 'Introduction', in Clifford, J.  & Marcus, G. (eds.) Writing Culture: The Poetics and Politics of Ethnography.  Berkeley: University of California Press.

Clifford, J. (1988). The Predicament of Culture: Twentieth Century Ethnography, Literature, and Art.  Cambridge, Mass.: Harvard University Press.

Colls, R.  & Dodd, P. (1985). 'Representing the Nation: British Documentary Film, 1930-45', Screen, 26 (1).

Comolli, J.  & Narboni, J. (1977). 'Cinema/ideology/criticism' in Society for Education in Film and Television (eds.) Screen Reader I. London: Society for Education in Film and Television.

Cook, J. (ed.) (1981). BFI Summer School Dossier.  London: British Film Institute.

Cook, T. (1866). Cook's Scottish Tourist Practical Directory: A Guide to the Principle Tourist Routes, Conveyances, and Special Ticket Arrangements, sanctioned by Railway, Steamboat and Coach Companies, Commanding the Highland Excursion Traffic (3rd edition).

Commonwealth Relations Office (1957, May 8). Letter to the Films of Scotland Commitee, ref: 4/11/399, Scottish Film Archive, Glasgow.

Corner, J. (1991). 'Documentary Voices', in Corner, J. (ed.) Popular Television in Britain.  London: British Film Institute.

Corner, J.  & Harvey, S. (1991). 'Mediating Tradition and Modernity: the heritage/enterprise couplet' in Corner, J.  & Harvey, S. (eds.) Enterprise and Heritage: Crosscurrents of national culture.  London: Routledge

Corner, J. (1992). 'Presumption as Theory: Realism in Television Studies', Screen 33 (1).

Cousins, M.  & Hussain, A. (1984). Michel Foucault.  London: Macmillan.

Craig, C. (1981). 'Visitors from the Stars: Scottish Film Culture', Cencrastus, 7. 

Craig, C. (1982). 'Myths Against History: Tartanry and Kailyard in 19th-century Scottish Literature', in McArthur, C. (ed.) Scotch Reels. London: British Film Institute.

Culler, J. (1981). 'Semiotics of Tourism', American Journal of Semiotics, 1 (1-2).

Cunningham, H. (1980).  Leisure in the Industrial Revolution.  London: Croom Helm.

Curran, J. & Porter, V. (eds.) (1983). British Cinema History. London: Weidenfeld and Nicolson.

De Certeau, M. (1988). The Writing of History.  New York: Columbia Press.

Dickinson, M. (1983) 'The State and the Consolidation of Monopoly', in Curran, J.  & Porter, V. (eds.) British Cinema History.  London: Weidenfeld and Nicolson.

Dickson, T. (1989). 'Scotland is Different, OK?', in McCrone, D., Kendrick, S.  & Straw, P. (eds.) The Making of Scotland: Nation, Culture & Social Change. Edinburgh: Edinburgh University Press.

Donald, J. (1988). 'How English is it?  Popular Literature and National Culture', New Formations, 6.

Donaldson, W. (1986). Popular Literature in Victorian Scotland: Language, Fiction and the Press. Aberdeen: Aberdeen University Press

Dreyfus, H.  & Rabinow, P. (1982). Michel Foucault: Beyond Structuralism and Hermeneutics.  Hemel Hempstead: Harvester Wheatsheaf.

Dundee Chamber of Commerce (1938). 'Dundee Chamber of Commerce Yearbook'.   Scottish Film Archive, Glasgow.

Eagleton, T. (1986). Literary Theory: An Introduction. Oxford: Basil Blackwell.

Eaton, M.& Ward, I. (1976). 'Anthropology and Film', Screen, 17 (3).

Eisentsein, S. (1977). 'A Dialectic Approach to Film Form', in Eisenstein, S.  Film Form: Essays in Film Theory (edited by Jay Leyda). San Diego: Harcourt Brace Jovanovich.

Ellis, J. (1981). 'Victory of the Voice?', Screen, 22 (2).

'The Excursion Season', (1853, October 29). Chamber's Edinburgh Journal.

Fanon, F. (1965). The Wretched of the Earth. Harmondsworth: Penguin.

Ferns, A. (1985). 'Causes of Change in M.O.I.  Film Policy, 1939-45, in Scotland', unpublished paper.

Films of Scotland (1955). Memorandum and Articles of Association of The Films of Scotland Committee, 1955, ref: G6.30.1, Grierson Film Archive, Stirling University Library.   Stirling.

Films of Scotland (1959, May 5). 'Films for Industry, Digest of an Article on the Work of the Films of Scotland Committee', ref: 4/11/322, Scottish Film Archive, Glasgow.

Films of Scotland (1960, Febuary 19). 'Films of Scotland, A Record of Five Year's Achievement', press release,  ref: 4/11/323, Scottish Film Archive, Glasgow.

Films of Scotland (1960, September 28). 'Scottish Films for Cananda', press release, ref: 4/11/323, Scottish Film Archive, Glasgow.

Films of Scotland (1962, February). 'Films of Scotland Committee: A Summary of Seven Year's Achievement', press release, ref: 4/11/322, Scottish Film Archive, Glasgow.

Fish, S. (1980). Is There a Text in this Class? The Authority of Interpretative Communities. Cambridge, Mass.: Harvard University Press.

Foucault, M. (1972). The Archaeology of Knowledge. London: Routledge.

Foucault, M. (1973). The Birth of the Clinic: An Archaeology of Medical Perception. London: Tavistock.

Foucault, M. (1977). 'Film and Popular Memory', Edinburgh '77 Magazine, 2.

Foucault, M. (1979a). Discipline and Punish: the Birth of the Prison. Harmondsworth: Penguin.

Foucault, M. (1979b). 'On Governmentality', Ideology and Consciousness, 6.

Foucault, M. (1986). The Care of the Self: the History of Sexuality Volume Three. London: Penguin.

Foucault, M. (1988). 'Technologies of the Self', in Martin, L., Gutman, H.  & Hutton, P. (eds.) Technologies of the Self: A Seminar with Michel Foucault. Amherst: University of Massachusetts Press.

Foucault, M. (1990). The History of Sexuality: Volume I. New York: Vintage Books.

Furst, L. (1973). Romanticism. Fakenham: Methuen. 

Garnham, N.  & Williams, R. (1990). 'Pierre Bourdieu and the Sociology of Culture: An Introduction', in Garnham, N.  Capitalism and Communication: global culture and the economics of communication. London: Sage.

Gellner, E. (1983). Nations and Nationalism. Oxford: Blackwell.

Genette, G. (1980). Narrative Discourse: An Essay in Method. Ithaca, NY: Cornell University Press.

Genette, G. (1989). 'Structuralism and Literary Criticism', in Lodge, D.  Modern Criticism and Theory: A Reader. Harlow: Longman.

Giddens, A. (1987). The Nation-State and Violence: Volume Two of a Contemporary Critique of Historical Materialism. Berkeley: University of California Press.

Giddens, A. (1990). The Consequences of Modernity. Cambridge: Polity Press.

Gilroy, P. (1987). There Ain't No Black in the Union Jack: The Cultural Politics of Race and Nation. London: Hutchinson.

Glasgow Women and Film Collective (1984). 'Glasgow: A Myth is as Good as a Smile', The Journal of the Association for Media Education in Scotland, 1.

Goody, J. (1977). The Domestication of the Savage Mind.  Cambridge: Cambridge University Press.

Gordon, A. (1988). To Move with the Times: The Story of Transport and Travel in Scotland. Aberdeen: Aberdeen University Press.

Grant, J. (1964, October 29). 'The Projection of Scotland by Film: A Report on the Work and Aims of the Films of Scotland Committee', press release, ref: 4/11/322, Scottish Film Archive, Glasgow.

Greenblatt, S. (1980). Renaissance Self-Fashioning: From More to Shakespeare. Chicago: University of Chicago Press.

Greenblatt, S. (1992). Marvelous Possessions: the Wonder of the New World. Oxford: Clarendon Press.

Grierson, J. (1938, March 31). 'Men and Matters: Film Making in Scotland', script for BBC radio broadcast, ref: G3A.4.1&2, Grierson Film Archive, Stirling University Library, Stirling.

Grierson, J. (1979a). 'First Principles of Documentary', in Hardy, F. (ed.) Grierson on Documentary. London: Faber and Faber.

Grierson, J. (1979b). 'The Russian Example', in Hardy, F. (ed.) Grierson on Documentary. London: Faber and Faber.

Guynn, W. (1990). A Cinema of Nonfiction. London: Fairleigh Dickinson University Press & Associated University Presses.

Habermas, J. (1985). 'Modernity-An Incomplete Project' in Foster, H. (ed.) Postmodern Culture. London: Pluto Press.

Haftmann, W. (1965). Painting in the Twentieth Century (Volume 1). London: Lund Humphries.

Hardy, F. (ed.) (1979). Grierson on Documentary, London: Faber and Faber.

Hardy, F. (1990). Scotland in Film. Edinburgh: Edinburgh University Press.

Hartog, S. (1983). 'State Protection of a Beleagured Industry', in Curran, J.  & Porter, V. (eds.) British Cinema History. London: Weidenfeld and Nicolson.

Harvey, D. (1995). The Condition of Postmodernity. Cambridge, Mass.: Blackwell. 

Hewison, R. (1987). The Heritage Industry: Britain in a Climate of Decline. London: Methuen.

Higson, A. (1986). '"Britain's Outstanding Contribution to the Film": The documentary-realist tradition' in Barr, C. (ed.) All Our Yesterdays: Ninety Years of British Cinema. London: British Film Institute.

HMSO (1947). Films of Scotland. Edinburgh: His Majesty's Stationary Office. 

Hobsbawm, E.  & Ranger, T. (eds.) (1983). The Invention of Tradition. Cambridge: Cambridge University Press.

Hobsbawm, E. (1983a). 'Introduction' in Hobsbawm and Ranger (eds.) The Invention of Tradition. Cambridge: Cambridge University Press.

Hobsbawm, E. (1983b). 'Mass-Producing Traditions: Europe, 1870-1914' in Hobsbawm and Ranger (eds.) The Invention of Tradition. Cambridge: Cambridge University Press.

Hood, S. (1983). 'John Grierson and the Documentary Film Movement', in Curran, J.  & Porter, V. (eds.) British Cinema History. London: Weidenfeld and Nicolson.

Jameson, F. (1979). Fables of Aggression: Wyndham Lewis, the Modernist as Fascist. Berkeley: University of California Press.

Johnson, S. (1970). 'Journey to the Western Islands of Scotland', in Chapman, R.W. (ed.) Johnson's 'Journey to the Western Islands of Scotland' and Boswell's 'Journal of a Tour through the Hebrides with Samuel Johnson, LL.D.'.  London: Open University Press.

Johnston, T. (1943, November 17). Letter from St.Andrew's House to John Grierson, ref: G4.27.174, Grierson Film Archive, Stirling University Library.   Stirling.

Kamenka, E. (1973). 'Political Nationalism - The Evolution of the Idea', in  Kamenka, E. (ed.) Nationalism: The Nature and Evolution of an Idea. Canberra: Australian National University Press.

Kendrick, S. (1989). 'Scotland, Social Change and Politics', in McCrone et al. (eds.) The Making of Scotland: Nation, Culture and Social Change. Edinburgh: Edinburgh University Press.

King, A. (1958, November 27). Notes for speech by Sir Alexander King at a press screening of From Glasgow Green to Bendigo, ref: 4/11/322, Scottish Film Archive, Glasgow.

King, A. (1962, November 21). Notes for speech by Sir Alexander King at a News Conference in the Central Hotel, Glasgow, ref: 4/11/322, Scottish Film Archive,  Glasgow.

King, N. (1981). 'Recent "Political" Documentary, Notes on Union Maids and Harlan County USA', Screen, 22 (2).

Kitson, M. (1985). 'Seventeenth-century Classicism', in Myers, B.  & Copplestone, T. (eds.) Landmarks of Western Art. Feltham, Middlesex: Hamlyn.

Knowles, T.D. (1983). Ideology, Art and Commerce: Aspects of Literary Sociology in the Late Victorian Scottish Kailyard. Gothenburg: Acta Universitatis Gothoburgensis.

Koch, S. (1985). Stargazer: Andy Warhol's World and His Films. New York: Marion Boyars.

Kracauer, S. (1960). 'Theory of Film: The Redemption of Physical Reality' in Mast, G.  & Cohen, M. (eds.) Film Theory and Criticism: introductory readings. Oxford: Oxford University Press. 

Kuhn, A. (1978). 'The Camera I: Observations on Documentary', Screen, 19 (2).

Kuhn, A. (1980). 'British Documentary in the 1930s and "Independence": Recontextualising a Film Movement', in Macpherson, D. (ed.) Traditions of Independence: British Cinema in the Thirties. London: British Film Institute.

Kuhn, A. (1981). 'Desert Victory and the People's War', Screen, 22 (2).

Kumar, K. (1977). 'Holding the Middle Ground: the BBC, the Public and the Professional Broadcaster', in Curran, J.  et al. (eds.) Mass Communication. London: Edward Arnold.

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Lewis, J. (1990). Art, Culture, and Enterprise: the Politics of Art and the Cultural Industries. London: Routledge.

Low, R. (1973). The History of the British Film, 1929-1939, Documentary and Educational Films of the 1930s. London: Allen & Unwin.

Low, R.  & Manwell, R. (1973). The History of the British Film, 1896-1906. London: Allen & Unwin.

Lynton, N. (1980). The Story of Modern Art. Oxford: Phaidon Press.

Lyotard, J. (1984). The Postmodern Condition: a Report on Knowledge. Manchester: Manchester University Press.

McArthur, C. (1980). Television and History. London: BFI.

McArthur, C. (1981). 'Breaking the Signs: Scotch Myths as Cultural Struggle', Cencrastus, 7 .

McArthur, C. (ed.) (1982). Scotch Reels. London: British Film Institute.

McArthur, C. (1982). 'Scotland and Cinema: The Iniquity of the Fathers' in McArthur, C. (ed.) Scotch Reels. London: British Film Institute.

McArthur, C. (1983a). 'Tendencies in the New Scottish Cinema', Cencrastus, 13. 

McArthur, C. (1983b). '"Scotch Reels" and After', Cencrastus,11.

McArthur, C.(1983c). 'The Maggie', Cencrastus, 11.

McArthur, C. (1986). 'The Dialectic of National Identity: The Glasgow Empire Exhibition of 1938', in Bennett, T., Mercer, C.  and Woolacott, J. (eds.) Popular Culture and Social Relations. London: Open University Press.

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McBain, J. (1986b). 'Pictures Past', Cencrastus, 23.

McBain, J. (1996). 'Lost But Not Forgotten: Scotland's Lost Feature Film Heritage', Media Education Journal, 20.

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