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GENERAL REGISTER HOUSE, |
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Essay by Julian.Small. Photographs by Sandy Kinghorn. |
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In November 1761, Robert Adam, jointly with his great rival, William
Chambers, was appointed "Architect of the Kings Works".1
Adam was given specific responsibility for Scotland. Throughout
his career he aspired to build on a monumental scale and hoped to be
in a position to design a royal palace or public building on a vast
scale. With this appointment giving official recognition to his
abilities, it must have seemed that this ambition had moved a
significant step closer to fulfilment, although to hold such a post
did not carry any automatic right to be given the commission for any
new public building (Adam himself had been commissioned to design the
screen in front of the Admiralty office in Whitehall in 1760).
Sadly, by the time he was elected MP for Kinross-shire in 1768, and
consequently had to resign the post (to be succeeded by his brother
James), no major public buildings had been commissioned in either
Scotland or England. William Chambers was to receive the major
public commission of the era in being charged with the design of the
new government offices at Somerset House, London, in 1776.
Before that, however, Adam had been commissioned to design "a
proper repository for the Records of Scotland," General Register
House in Edinburgh.
For some time, concern had been felt about the conditions under which the public records of Scotland were kept, and as early as 1722 it had been suggested that the solution to the problem was the construction of a new building to house them.2 However, it was not until the Earl of Morton, Lord Clerk Register from 1760 to 1768, having personally inspected the storage conditions and been shocked by what he saw, began to urge the construction of such a building and raise funds for it, that the possibility began to appear achievable. Morton himself, in association with a professional architect, Robert Baldwin, designed a scheme (possibly as early as 1762) and published it in 1767.3 This consisted of a square building of one storey above a basement, with a dome above a central square hall. The square hall is surrounded by ranges of small square offices-cum-storage rooms, all barrel-vaulted so as to be fireproof. Although the external elevation appears rather ungainly in the published design, the plan has significant parallels to that of the building which exists today, and it is difficult to believe that it played no part in Adams development of a solution to this unique commission (General Register House was the earliest purpose-designed record repository in Britain4). Quite certainly, however, it was not the only source of inspiration for Adams design.
Apart from the obvious difficulties of obtaining finance from an
always parsimonious government, the principal reason for the delay in
realising the project for the Register House had been the
identification of an appropriate site. In 1765, a site had been
proposed at the south edge of the city5but,
despite the lobbying of Lord Morton6
and the willingness of the owners, the Governors of Heriots
Hospital, the make the ground available, there had been objections
from members of the legal profession that the site was too far from
the Law Courts. However, in 1765 work started on a bridge to
link the ridge on which the city of Edinburgh was founded (the
"Old Town") to the next ridge of land to the north,
crossing the North Loch. The North Bridge, as it was called,
allowed the laying-out of the
Edinburgh New Town, to a plan by James Craig, the following
year. The bridge was opened to pedestrians early in 1769 and,
although structural problems meant that it was not finally completed
until 1772, the city authorities were seeking any opportunity to
encourage the development of the New Town which they hoped would do
so much to promote Edinburgh. They concluded that the location
of such a prestigious public building as the new Register House here
"would turn out to the advantage of the City and would promote the
feuing out of the grounds on the north of the Bridge,"7
and offered the site immediately opposite the north end of the
incomplete bridge for the new building. That part of the site
owned by the city was given to the Register House Trustees, although
the rest of the site had to be purchased from three separate
owners. The Trustees gained a location which even today faces
directly along one of the
principal street vistas in Edinburgh.
As well as Lord Morton and Robert Baldwins plan, other buildings were probable sources of inspiration to Adam in preparing his design, notably his own Syon House, today in West London. Adam had been commissioned in 1761 to remodel Syon, a 16th and 17th-century house owned by the Duke of Northumberland, and to facilitate circulation around the house he proposed filling the central courtyard with a vast domed saloon or "general rendez-vous,"10 besides remodelling the surrounding ranges in contemporary style. Most of the alterations he proposed in the surrounding ranges were carried out, but his domed saloon remained unbuilt. The domed rotunda at the Register House plays a similar role, and as such has much more in common with the proposals for Syon than with Baldwins cramped central square, accessible from the corridor running around the building only by passing through small offices.
The designs which Adam prepared for Register House are dated 1771 and
comprise a rectangular quadrangle with towers projecting at each
corner and half way along each of the short sides, with the courtyard
filled with a circular domed central hall surrounded by a ring of offices.11
Because the quadrangle is rectangular rather than square (at least
one of the preliminary designs envisages a square building), this
ring of offices nestles against the inner walls of north and south
ranges but has staircases filling the spaces separating it from the
east and west ranges. The outer ranges of the quadrangle
contain tiers of offices for the various officials, facing outwards,
with a corridor running along their inner side and encircling the
building (unlike Syon House, where the rooms interconnect, and the
lack of any circulatory corridor created a pressing need for the
rotunda Adam proposed for the central courtyard). Adam proposed
for the Register House a building of two storeys plus a basement,
unlike the single storey and basement of Lord Morton and Robert
Baldwins design, but like it, Adams design is vaulted
throughout in order to reduce the threat from fire. The extra
storey allows the principal facade to be much better proportioned
than had been the case in Baldwins design, and Adam relies on
the innate dignity of the proportions of the structure, rather than
on architectural or sculptural elaboration, to produce the elegant,
slightly austere, effect. The towers at each end of the facade,
crowned with turrets with cupolas, and projecting from the main
wall-plane, strike a vertical accent, emphasised by the Corinthian
columns on their upper storeys, which plays a counterpoint with the
horizontal emphasis of the rest of the facade, and the swell of the
dome looming above the centrepiece would originally have been
answered by the steps immediately below it curving down to street
level (the widening of Princes Street in 1890 led to these
curving flights being set back square against the terrace wall12).
However austere it may appear, the facade, as Adam designed it,
fully lived up to that desire for "movement"
which Adam aspired to for the exteriors of his buildings.
Work on the new building began in 1773 with the digging of the
foundations, although construction proper did not start until the
following year, with the laying of the foundation stone at a ceremony
on 27th June. The entire structure below roof level, apart from
the dome of the Rotunda and the wooden floor of the Lord Clerk
Registers room above the entrance hall, is built of either
stone or brick,17
so that the building is both fireproof and provides the stability
necessary for the storage of heavy record volumes. This,
however, meant that the building was expensive to construct, despite
its restrained decoration, and the money made available by a
niggardly Exchequer proved insufficient even to allow construction of
Adams reduced design. Work was suspended at the end of
1778 with the carcase of the building, including the roofs, largely
complete, but with significant amounts of work still to be done.
For the next six years, the desolate shell of the building,
windowless, with the turrets on top of the towers unfinished, and
with the dome and the internal vaulting incomplete, stood empty as, a
contemporary observer remarked, "the most magnificent pigeon
house in Europe."18
Only in 1785, with a further grant from government funds, did work
start once again, with the building ready for occupation by the end
of 1788, although some work remained to be completed in 1789.19
In 1790 a clock was installed in the south-east tower and a
wind-vane in the south-west, both supplied by the well-known London
clockmaker Vulliamy - presumably Benjamin Vulliamy rather than his
father Jason, who appears to have died in that year.20
His shop in London was at 68 Pall Mall. And although the
plasterwork of the dome of the central rotunda had been undertaken in
1785, it appears not to have been painted until 1791.21
The rotunda is architecturally the most important room in the whole
building and is fortunate enough to retain Adams decorative
scheme. It is, alas, the only room in Register House to do so,
although the Lord Clerk Registers room above the Entrance Hall,
the first occupant of which was Lord Frederick Campbell who had
secured the commission for the Adams, still has a frieze, apparently
original, around the walls (the chimneypiece now in the room does not
resemble Adams surviving design).22
The plasterwork in the dome was done by Thomas Clayton the younger,
of Edinburgh,23
except for the eight circular bas-reliefs, which had been produced in
London to Adams direction and shipped to Edinburgh by sea in
1779 together with three "Tablets" (presumably the three
decorative panels at the centre of the south facade) and six
"freezes with Antique Ornaments" (possibly the frieze in
the Lord Clerk Registers room).24
It is a magnificent interior, surrounded by bookcases set into the
arcaded walls, encircled by a gallery at first-floor level and with
the dome divided into eight segments, each containing one of the
plaster roundels shipped from London, the ornamentation becoming
richer towards the central oculus, or "skylight" as it was
referred to in the Minutes of the Trustees referring to the progress
of construction. At 76 feet, it is the loftiest room built to
Adams designs, and is also the largest to survive, with an area
of over 2000 square feet.25
Adams work on the Register House was not confined to the building itself. He prepared designs for three related projects, none of which was realised. The earliest of these was for a terrace of houses to front the west side of Leith Street, on property owned by the Register House Trustees. Plans for this were prepared by Adam in 1785,29 but his designs were executed only in drastically modified form, under the supervision of another architect. In 1789, Adam was called upon to design both a house to form an official residence for the Deputy Registrar30 - intended to be built in St James Square, immediately behind Register House - and, in the general public alarm about the outbreak of the French Revolution, a Guardhouse to be sited within the precincts of Register House.31 No house for the Deputy Registrar was constructed at this time, but a guardhouse was built at what is now the head of West Registry Street, although it is unclear whether it can in any degree be ascribed to Adam.32 Adams bill for the preparation of the design refers to the two versions of the design which survive, qualified by the comment "not executed in either of these ways."33 The Guardhouse which was built (and which stood until the 1850s) appears to have been constructed to an entirely different plan to Adams design, but that must leave open the possibility that the designer (possibly even James Salisbury, as Surveyor to the Register House) might have used elements of Adams design in the elevations.
The Guardhouse was only the first addition to Adams Register
House. By the end of the Napoleonic Wars, it was recognised
that the accommodation was inadequate, and minor alterations in 1816
were followed by the enlargement of the building between 1822 and
1834 to the dimension of Adams 1771 design, and to a large
degree following his intentions.34
Further buildings have been added behind Adams original one,
but the latter remains as the public face of the whole complex,
facing out onto Princes Street and forming, as has already been
said, the earliest purpose-built record repository in Britain. |
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Published
by Cadking Design Ltd, Edinburgh, Scotland - Copyright © Cadking
Design 1997-2001
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