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Playbills Highlights
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Playbill advertising a performance of Constantine Palaeologus; or, The Last of the Caesars at the Theatre Royal, Edinburgh
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Title: Constantine Palaeologus; or, The Last of the Caesars |
beneficiary: Mr Calcraft playwright: Joanna Baillie |
Location: Theatre Royal, Shakespere Square, Edinburgh |
date of performance: 29 May 1820 |
Notes: This large-type playbill advertises a play by the important Scottish writer Joanna Baillie, who was a friend of Sir Walter Scott. |
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Playbill advertising a performance of Much Ado About Nothing at the Theatre Royal, Edinburgh
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Title: Much Ado About Nothing |
The Heart of Mid-Lothian; or, The Lily of St Leonards (subperformance) A Favourite Pas Seul (subperformance) beneficiary: The Edinburgh Theatrical Fund playwright: William Shakespeare author of 'The Heart of Mid-Lothian': Sir Walter Scott |
Location: Theatre Royal, Shakespere Square, Edinburgh |
date of performance: 3 June 1820 |
Notes: A benefit performance for the Edinburgh Theatrical Fund shows that by this period the Theatre Royal was well established and able to think about assisting less fortunate retired actors. |
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Playbill advertising a performance of The Rivals at the Theatre Royal, Edinburgh
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Title: The Rivals |
The Bewildered Maid (subperformance) Minuet de la Cour and Gavotte (subperformance) Paddy Carey (subperformance) The Agreeable Surprise (subperformance) beneficiaries and performers: Mrs and Miss Nicol or Nicoll performer: Mr Huckel performer: Miss M. Nicol or Nicoll |
Location: Theatre Royal, Shakespere Square, Edinburgh |
date of performance: 22 May 1821 |
Notes: 'The Agreeable Surprise' was one of the many secondary performances which in this period commonly took place after the main play. |
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Playbill advertising a performance of Who Wants A Guinea? at the Theatre Royal, Edinburgh
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Title: Who Wants A Guinea? |
The Bee-Hive (subperformance) playwright: George Colman, the Younger beneficiary: Mr Huckel playwright of 'The Bee-Hive': John Millingen |
Location: Theatre Royal, Shakespere Square, Edinburgh |
date of performance: 6 May 1822 |
Notes: This large-type playbill includes a list of songs. Music was very important in the Scottish theatre at this time. |
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Playbill advertising a performance of Ivanhoe; or, The Knights of the Temple at the Theatre Royal, Edinburgh
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Title: Ivanhoe; or, The Knights of the Temple |
The Barber of Seville (subperformance) beneficiary: Miss Halford author of 'Ivanhoe': Sir Walter Scott composer of 'The Barber of Seville': Gioacchino Rossini |
Location: Theatre Royal, Shakespere Square, Edinburgh |
date of performance: 19 May 1823 |
Notes: 'Ivanhoe' is here introduced as the latest of Sir Walter Scott's novels to be turned into a stage play. |
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Playbill advertising a performance of The Heir-at-Law at the Theatre Royal, Edinburgh
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Title: The Heir-at-Law |
The Spectre Bridegroom (subperformance) The Father and the Son (subperformance) The Duel; or, My Two Nephews (subperformance) Monsieur Tonson (subperformance) The Castle of Andalusia (subperformance) The School for Scandal (subperformance) ticket seller: Mr Garbutt playwright of 'The School for Scandal': Richard Brinsley Sheridan playwright of 'The Heir-at-Law': George Colman, the Younger |
Location: Theatre Royal, Shakespere Square, Edinburgh |
date of performance: 12 November 1823 |
Notes: 'The Spectre Bridegroom' is a rather grim title for a 'favourite Farce'. Note the remarks about the improvements which have been made to the theatre building. |
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